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Chandre was pacing, walking up and down the main entrance hall of her new home built in a pocket dimension between the garganta and… somewhere… probably. Regardless, in this space her latest invention had managed to create for her a stunning home that she was quite proud of. The entire thing was modeled after a fairly well known Parisian cathedral, though Chandre had taken many, many liberties. The room was massive, over fifty meters long and thirty meters wide, double doors that ventured ten meters into the air at the very front covered in gold and brass finery. The floors she trod were made from fine, polished marble; the veining in the reflective stone mirrored the veining in a fairly standard human’s brain, which Chandre found lovely to look at. The walls looked like age polished oak and mahogany, candle flames casting intricate shadows from the finely carved posts and buttresses. Stain glassed windows marked the walls ever few feet, though bore images of Chandre’s favourite artistic works from the centuries, though dominated heavily with surrealist works. The ceiling was high, almost fifty feet above her, a massive mural painted across it of the fall of Caesar, though the subjects of the portrait were moving, going through the motions. The ceiling changed fairly often, it was the ‘starry sky’ by Van Gogh just an hour ago, sort of a screen saver that filtered through visually interesting works of art chosen by the Compiler in hopes of pleasing Chandre’s artistic pallet. The hall itself was populated with nearly twenty large glass tubes, each wide and tall enough to fit a fairly hefty person comfortably, luminescent turquoise liquid on the inside and intricate gold filigree on the outside. Close inspection unveiled a few of the tubes had small items bathing in their depths, one looking like a half-finished revolver, another could’ve been a fine lace glove while another seemed to be the front half of a young woman. Between the candles and the tubes, the room had a very… ethereal air about it, and for all her décor, Chandre found herself anxious.
This was the first time that she had made something for somebody else, purely for somebody else. Her art was hers, and hers to keep, but upon meeting a very well-spoken and quite kind arrancar, Chandre had offered to create a piece for her. It had been quite some time, her own inter-dimensional debacle exacerbating the delay, and she hoped the subject of her commission would not be offended. She hoped doubly that her piece of art would meet up with the scrutiny of the arrancar. While Chandre quite enjoyed her own work, she very rarely found others who could appreciate the beauty of it as well. She commonly ate the ones who ridiculed her work, but this arrancar was far more powerful than she and that wouldn’t likely be an option. Besides, Chandre quite liked Eleanor.
Chandre had invited Eleanor to the Cathedral through the use of her Vocal Agitation Amplifier, which allowed the lady hollow to telepathically contact anyone she had physical contact with prior. While it was capable of sustained communication, Chandre had opted to ‘leave a message’ as it were, not certain how Eleanor may take the mental intrusion. It was a fairly short but pleasant invite, explaining where and roughly when to arrive for the door to be open. Chandre had a Servitor waiting at the Louvre’s rear entrance, it looked like a traditionally dressed Englishman, bowler hat and red vest under a dark three piece suit. He held a rather fancifully written sign that simply said ‘Eleanor Lockwood’ and waited for the arrancar to arrive before notifying Chandre and the Compiler to activate the Spatial Cracker and open a door to the Cathedral main hall. She had managed to fine tune the Spatial Cracker to the point she could dictate exactly where the door would be open, and even keep it open for several minutes thanks to the rich power supply this dimension provided. The door for Eleanor would open directly in front of the Louvre’s rear entrance, and lead to just outside the large double doors for the Cathedral. Chandre thought it would provide a suitably grand entrance to her home.
Post by Eleanor Lockwood on Aug 5, 2017 18:31:55 GMT
Your First Masterpiece Must Be Yourself
Had someone told her when she was alive that she'd be in Paris, meeting with an old acquaintance (Eleanor suspected friendship was more or less inevitable, but they'd only met briefly thus far, more was the pity), she likely would have laughed. Now, she laughed at the thought that she would have laughed. Different times, and different circumstances. Cultures evolved as much as the people they were formed of, and while war was a constant on the planet for the duration of humanity's existence, at least these days there was...less? Maybe not, but it certainly felt more peaceful than the former centuries. Odd how she didn't take as much advantage of that as she might have. Something to consider.
Finding the Luvre was a bit tricky, given that Eleanor had only a general description of what the place looked like (and she still hadn't figured out how this "internet" things the living were always going on about). At the very least, she had a great view as she walked on air above Paris. Not exactly her style in places, but she couldn't help respecting some of its grandeur. The older parts were...was there a word for nostalgia for a place you'd never really been? Regardless, she found herself enjoying the search until she finally pinpointed one of Chandre's strange homonculi. She chuckled lightly at the outfit, and the sign. How many people were looking for wax creatures in the back alleys of Paris? Actually, there legitimately might be a few. The afterlife held far stranger things. Landing lightly by the creature, she was swiftly greeted by the opening of a portal. Now that was curious; she could open the Garganta tunnels without being physically present? Or was the servitor acting as a conduit of some sort? That bore further investigation, if time permitted. She stepped through fearlessly, another thing that wouldn't have occurred in the past. Trust was hard won with hollows, for good reason. Still, Chandre had only ever demonstrated excellent manners. Betrayal wasn't impossible, but seemed about as likely as someone on the street having a particular grudge: hardly worth thinking about. Stepping through to the other side, Eleanor was blindsided by the structure.
Wow.
Eleanor relationship with art was a complicated topic. While she wouldn't call herself a scientist, she was ultimately seeking the "why" and the "how" of the world, before reshaping it into something more. Even "something more" had to be defined by what you knew. To deliberately focus on either function or form seemed alien...Yet her somewhat chilly opinion of modern science and it's abandonment of deeper truths made her suspicious of any attempt to completely toss aside truths beyond mere practicality. All that was blown away by the grandeur of the place. It immediately struck Eleanor that she could look at any give part of this place, understand it and rebuild it...but she would never have had the vision to come up with it in the first place. It wasn't just the use of choice materials, it was the overall synergy. It was amazing, and more than a little humbling. Oh! Stained glass! That was a treat, even if the subject matter took a second to process. As she walked through the high building (animate ceiling!), she even found herself enjoying the sound of her own footsteps on marble. Knowing Chandre, that was intentional part of the design. Sound was art, after all.
Perhaps, having known you only a short time, this is mistaken, but nevertheless I feel compelled to say...You've outdone yourself, my friend. Genuine awe still evident in her voice as much as body language, Eleanor's attention kept being diverted this way and that by the Cathedral's design. The reason she'd actually been called here was, frankly, pushed completely out of her mind. She'd be content to simply examine the place for hours. Once she got home to her own pocket space, she made a note to include SOMETHING marble. Her own home was considerably smaller and tighter than this, so she couldn't overdo it, but still. Wow.
Mother, she’s arrived. The compiler said, speaking to Chandre as Eleanor made her arrival at the Luvre. Quickly, Chandre hurried to the far side of the cathedral, where the large glass tubes stopped at the foot of a very wide, ornate stair of only a few steps that led to where the altar would have been. In its place was a sort of sitting room, red velvet chaise, and wing back chairs set around a small glass coffee table reminiscent of the home Chandre had first welcomed Eleanor into. Tea and pastries were set there, made from the ‘hollow fruit’ Chandre picked for her daily sustenance instead of going through the labourious task of hunting. She stood by the little table and gave herself a quick look over. She wore a powder blue evening gown that was low cut in the back and darkened as it got closer to the floor. A thin scarf of shear material rested over her shoulders and arms, the edges lit with small safire flames that licked at her otherwise white pale skin. Satisfied she didn’t look as nervous and unkempt as she felt, she ordered the Spatial Cracker to open the door for her guest. She could hear the loud crack of space being rent apart just outside the hall, the large double doors opening in concert with Eleanor’s arrival as the servitor followed her through.
Welcome mon ami, I hope you found the place alright. Chandre said as the arrancar made her way into the hall, her foot falls reverberating through the vaulted room. The silver cloak clad arrancar seemed to be taking in the decor with a look of wonder on her face, a sentiment confirmed when she spoke. If Chandre could blush, she would have, but the porcelain face mask did not allow for such contrivances. I am quite glad you approve, the design in here was un travail d'amour. She said, looking around the room herself for a moment, fondly remembering the hours she had poured over the nuances and details inherent in the wooden beams alone. She was also, truly, tickled to hear such a lovely compliment about her work. She did receive them so very rarely it seemed; actual appreciation for her creative eye was a very rich currency in her world.
I recently created it, we are in a dimension between worlds between worlds again, the only way in or out is with the use of the portal you just stepped through. A wonderfully secure place to call home, where I can work and live in peace. It is of nearly infinite size, and with the device at it’s heart under my direct command, it is of nearly infinite shape and purpose as well. She said, waving a hand to dismiss the scene of Caesar’s death, which seemed to fall from the ceiling in a cascade of colourful glitter that fell to the floor in a soft rain, evaporating without a trace upon contact. In its place, seemingly just under the previous painting, were alchemical symbology and iconography, whirring and moving smoothly in circles of ruby light. Chandre knew her friend seemed to have an eye for this predecessor of modern science, and while Chandre hoped to stay faithful to the formulae of the practice, she knew her guest would be leagues ahead in knowledge of the subject. Still, this is… banal… facile, wood and paint put to good use, but unapologetically skin deep. I have asked you here to enjoy something I would like to truly call art. Chandre said, her arms making sweeping gestures as she spoke, quite enjoying the showmanship.
Now, the Compiler is currently gift wrapping your commission and should be done shortly. If you don’t mind however, I would appreciate if you indulge me with being my guest a while. I do rarely have people over as you may well understand, and being hostess to such a lovely and powerful guest such as yourself is rarer still. If you would like, we could sit a while and chat, or perhaps you would enjoy a tour of my cathedral? I have many curiosities that may catch your attention. Chandre said, excitement leaking into her voice though she did her best to remain composed.
Post by Eleanor Lockwood on Aug 10, 2017 19:32:32 GMT
Your First Masterpiece Must Be Yourself
Surely, you didn't expect me to simply to take and leave, without so much as a "see you next time". Eleanor smiled lightly, but had a hard time prying her gaze from the cathedral, particularly once Chandre shifted the design to a more familiar set. Symbols and structures that felt more like home than actually going home, by this point. The Emerald Lion, chasing the Sun, red crystal and the shifting arrays of colors, the Ouroboros devouring its own tail...Many of the commonly known analogies decorated the ceiling. She even pulled down her right sleeve and matched up one of the patterns to the sky. The usage was straightforward and not all interconnected, but the fact that Chandre knew enough even to match this much was impressive. Her discipline wasn't known for sharing its secrets easily or directly. It was certainly more Eleanor could have done in the artistic sense. She could make beautiful things, of course, but not as much in the truly new sense. Any advancements were personal, and that didn't always make them fit to look at, however much they meant to the arrancar.
That you went out of your way to do this at all means a great deal. As to a tour, I would be delighted. And insistent, frankly. If Chandre tried to shoo her out prematurely, Eleanor could only call to mind an image of herself hanging onto the door frame with hook-like fingers, sheering wood away as she was forcibly vacated. This so called "labour of love", if Eleanor's admittedly poor French was translating correctly, deserved the time and effort for both proper examination and explanation of stylistic choice. What one built said much about you. How you did it and why you did it, yet more. In truth, Alchemy and Art weren't all that different in that respect. Both spoke to the world about the inner truths of the user. The primary difference was who the expression was for. The former, for the self. The latter, for the world.
I would also be interested in seeing the compiler directly, if it's deliberately kept accessible. If you've managed to modify space and structure at will, my own technique could clearly use some changes. Admittedly, Eleanor's own ability set made restructuring her home's layout a trivial matter, but transmuting space was not an ability she'd ever learned to that degree. Her pocket space had remained quite consistent since it's inception and even a cursory examination of this new device's methods might be a tremendous boon in the long term. One mustn't stop learning. To stand still (metaphorically speaking) was to die (less metaphorically).
Chandre was happy to hear that Eleanor was amiable towards the idea of staying a spell, she hadn’t been too worried of course, the quite English arrancar seemed to enjoy the Cathedral so far, and most certainly had well refined manners. There was always the outside chance that Eleanor had some sort of time sensitive work to return to, such was the case with minds such as there’s where in the space between works seemed more drudgery than break of any kind. While Chandre didn’t know Eleanor terribly well, what little she did understand of the woman seemed to indicate a sturdy work ethic and a sharp mind that would brook no stagnation. Chandre herself generally had two or three projects on the go just to ensure that she was never caught without something to do. Idle hands were the devil's playground, so they say.
It would be a distinct pleasure to show you every facet of my home and works. What is the purpose of art if not to be viewed, hmm? The distinct tone of cheer and enjoyment clear in her tone as she daintily hopped down the stairs to meet up with Eleanor amongst the large glass tubes that dotted the floor. Well, this is the foyer of course; I come in this way, kick the mud off my shoes and drop my keys etc. I mostly use it as a storage room as you can see, a place to drop off works that need time to stew, or that I’m waiting for some inspiration on. She motioned off to one of the glass tubes, the golden filigree winding up the sides still let large clear spaces to view the insides where the translucent, luminescent turquoise fluid held its subject suspended. The particular tube she had indicated seemed to have a revolver without a barrel floating in it, the silver engraved handle attached to a four chambered cylinder that seemed to have four different coloured eyes nestled inside, each one blinking to its own rhythm. That one, for instance, is to be an offensive option for me. I’m most certainly a lover, not a fighter, but every now and again I have to punch above my weight class. The device acts as a rietsu channel, converting my energies into a variety of effects. At the moment, the more… destructive of the options has proven difficult to contain. Every barrel I’ve tried to affix to it has melted, cracked or burst into flame upon testing. It would seem quite difficult to find a rietsu conductive material that is durable enough to withstand a concentrated energy field plowing through it. I’m sure something will come to me though. She said with a sigh, though quickly turned on her heel to head back up to the altar and motioned for Eleanor to follow.
Now, the Compiler is in my lab, which is at the deepest part of the Cathedral. We’ll pass by the Bifurcated Dimensional Schism on our way there, which is the actual physical means by which I manipulate this space. We have to pass through the kitchen as well, but first we have to go through my mechanical room. It’s where my water heater, junction box and other such things are, I’m quite proud of it. She said as she walked past the little sitting room area and delicately seating herself at a large pipe organ. The polished white keys glittered, but seemed to have a texture not unlike teeth, and instead of varying length of straight pipes climbing the wall, the brass pipes grew organically, crawling over each other and split randomly like vines. The sound that rung out was just as haunting as one might expect however as Chandre danced her petite fingers along the teeth of her organ, the melody bouncing from the rafters and filling the hall. The concert was short lived, the echoing sounds persisting almost… too long to be natural after Chandre stood from the instrument. When the last note truly died off, large stained glass mural near the centre of the back wall opened and a stairwell of what appeared to be crystal descend from the opening doorway. I don’t actually have to do that to get the stairs to come down of course. She said as the first step of the glass stairs touched ground just in front of the pipe organ. I can just ask the Compiler to let the stairs down, but this way, c’est plus amusant. She began to walk up the stair, flashes of light casting odd shadows at the threshold, the crack of lightning sounding with an oddly high, tinging pitch.
Chandre walked briskly over the threshold and onto a gangway of obsidian glass, bolts of electricity dancing just under her feet where she stepped, crackling from her foot falls before scattering off, up the ornate, curved rails of the gangway and down the hall. The hall was circular and the gangway ran down the full length, connected only at either end. The walls were perfectly clear, and just beyond them seemed to be an ocean of water. The far walls of what could only be described as a monumental fish bowl could only be seen because of the light of tubes filled with the same luminescent turquoise liquid that filled the tanks in the front hall. There were twenty of such tubes flying down the full length of the hall, and while the ones that were close were the same width of the tanks they had just left, the farthest ones looked no thicker than a straw.
The walkway is a part of my electrical system, it draws power from the reishi in this world and converts it to electricity to power my more mundane services and equipment I borrow from the human realm. I love how it lights up where I walk, it can’t pull enough reishi from me to do any harm, but just enough to sting a lower level hollow or shinigami. She said, dancing forward with a twirl, the ground beneath her crackling and lighting as she went. The tank around us is my ‘water heater’ though I use it mostly as a heat sink. Those down there are filters, they distill the water when I need it sterile for my work. She said, pointing out into the tank as a large whale like thing passed by one of the tubes. It also serves as a wonderful swimming pool if I ever want to get my flippers wet. She said, most commonly enjoying a swim in an aquatic form of some kind, fins, flippers, tentacles etc. It was a wonderful experience not really having to worry about gravity all the time, and being in a shape meant for water was much more freeing than the horrendously inefficient humanoid body that worked much better when on land. Most people don’t really consider their mechanical room to be a hotspot for a tour, but I wanted everything in my home to be beautiful. She said, reaching out and touching the hallway wall, it quivered at her touch showing it to be a clear membrane of some kind, ripples from the disturbance echoing along the walkway. She hoped Eleanor appreciated the sentiment, it was one thing to have function, but without a form you could just… enjoy, really, what was the point?
Post by Eleanor Lockwood on Aug 20, 2017 19:45:38 GMT
Your First Masterpiece Must Be Yourself
The initial explanation of the containment devices was a welcome one, as Eleanor had found the inclusion of them in the main hall a jarring experience. "Cathedral" and "mad science" were rarely looks that went together and, while she suspected Chandre could pull it off given sufficient motive, the inclusion of the two was definitely something to draw a second gaze. Maybe that was the point? The juxtaposition of science and art? The issue with materials however, drew Eleanor's attention to the more practical problem. Substance was something she understood extremely well, after all. One option came to mind fairly immediately.
Given that you've done me a favor in taking this commission without actually requesting anything in return, perhaps you would find some use for this. Her robes shifted pulling a thin plate of golden metal out of the silvery liquid-substance that made up the rest of them. Concealed within the Quicksilver, Eleanor kept addition protection in the form of Orichalcum plating. With the pseudo-intelligent and easily modifiable robes able to shift them on the fly, it made for an excellent second layer of defense. Technically, if Eleanor was remembering correctly, the artist had taken her request upon being provided with a simple enchanting material, so "anything in return" was perhaps slightly inaccurate, but given it had only taken a moment to produce, perhaps something a touch more valuable would serve as a proper payment.
Orichalcum, the King of Metals. A fine substance for construction, as it is invulnerable to conventional force, extremely durable otherwise, a fine insulator for most issues and it provides its own energy. A light tap to the metal released a sizable flash of light and heat, a property it possessed all on its own. Useful on its own, considerably moreso when used in a mechanism. A weapon that provided its own ignition had numerous potential applications.
It's not terribly mutable on its own, so we could perhaps fashion a new batch before we're done here.
The second part of the tour involved...some sort of living organ? An organ with actual organs, were one being wry? Perhaps she should have been more disturbed by that, but Eleanor remembered some of the earlier theories on hommonculus formation; she was a hard person to disgust, at least in the visceral sense. She might have made additional comments as they walked, but the next description nearly stopped her in her tracks. She'd created a reishi extraction system? And made an automated method of conversion to conventional lightning? Granted, creating electricity with reiatsu and, one assumed, reishi wasn't all that unusual, but an automatic system for doing so without overloading the devices?
Most people don't create a mechanical room worth being proud of. Most. She spoke while looking around at everything. The line about swimming caught her off guard. That the wax-like hollow could shape shift was not surprising. That water didn't do something unfortunate to someone who literally had living fire upon them was. The alchemist wasn't certain she should bridge that topic. Matters of form were so often touchy, even among the unusual shapes they took on as dead creatures. Eleanor didn't look back on her own time as an adjuchas with any degree of comfort. By comparison, wax was the finest evening gown.
It's good that you kept a unifying idea when constructing this place. Too much focus on pure form produces disparate elements. Even beyond aesthetics, it usually stems from a lack of foresight and thus attention to synergy. Add what you needed to add without thought, and the whole thing didn't just look ugly, it looked wasteful, with whatever potential it might have had vanished to allow short term lip service to pragmatism. Chances were, Chandre knew that better than Eleanor herself.
I’m going to move Eleanor into the kitchen if it isn’t too much trouble, please let me know if you want me to change that.
The description of the strange golden material that Eleanor had produced seemed nearly ideal for the application Chandre had bemoaned. If it was as sturdy as the lady arrancar had claimed, perhaps she could be persuaded to give it a ‘shot’ in her simulator. Still, Chandre had to admit it was odd using an inanimate material for her works. Unlike most craftsmen who tended towards using non-living materials, Chandre used almost exclusively living materials in her projects. Everything she made breathed, grew, ate, even most had a rudimentary brain of some kind to check and balance the biological works. Even the ‘revolver’ that she was making was alive, the silvery material a hard and sturdy flesh that sweated a polished lacquer which gave it the metallic sheen. It was also non-stick and smudge resistant which made cleaning it a breeze, a trait Chandre had learned was very important to her. She considered life to be the ultimate expression of artistic fervour, changing, purposeful, organically beautiful, and while guided by either her own hand or the more natural ‘strong survive’ mechanism that the wild applied, she could often be surprised by the end result. A metal, by contrast, had to be moved with full purpose, completely designed and moved to the end result in a planned and completely deliberate manner. That had advantages of course, one could plan the end result very precisely, make the exact key for the slot they need in a sense; it just lacked the wonder that Chandre felt made art… shine.
Hmmmm, how very generous an offer mon ami, it would be simply rude of me to decline such a gesture. She said, pushing her concerns of working with something so inherently unchangeable to the back of her mind. There may be merits to working outside of her comfort zone, and perhaps she could find something new, an art she had previously ignored nestled in the gleaming golden plate. It was clearly something that Eleanor herself had put quite a bit of stock in, had passion for, something that very easily resonated with Chandre. It would be more than insulting to refuse such a rarified gift simply on the basis of discomfort among the inanimate. But yes, I believe it would be best to wait until after the tour, I do tend to get sidetracked easily by new inspirations and I wish you to have my full attention while a guest in my home. Chandre said as they walked along the corridor, lightning cracking beneath their footfalls as the mammoth water filters swam lazily around them.
Chandre was pleased that Eleanor could appreciate the work she had put into making her home something to behold even in its ‘mundane’ utilities. At the end of the corridor was a… strange stained glass door, it was the size of a fairly standard door, a touch wider and taller, but nothing as grandiose as the massive double doors of the front entrance. What made it odd was that the approaching visages of Chandre and Eleanor could be clearly seen, mosaicked in the door, the coloured glass shifting to mirror what faced it. Chandre walked briskly over to the door, grasping the brass and oak handle and opened it in time to usher Eleanor through.
Please, enter my pantry, it isn’t quite as striking as the rest of my home, but I must say it’s comfortable. She said as she waited for Eleanor to step in. The door let out into what seemed like Heuco Mundo, an endless white sand desert that stretched out in all directions, an empty night sky save the lazily hanging moon. The door they had stepped through seemed to hang in midair, the lightning lit obsidian catwalk a strange path into nothingness. While I have to admit I didn’t spend much time in the conventional home of our species, I do find it strangely relaxing to be under its perpetual moonlight. She said, feeling the shifting sands beneath her feet, a form just as mercurial as herself. This is all an optical illusion however, the room ends at the door, and is only roughly twenty meters in any direction. The compiler adjusts the scenery based on where your eyes are with respect to your position to give the illusion of perspective. It has a harder time keeping everything cohesive when there is more than one set of eyes looking around, so try not to mind any distortions on the far walls. She explained, remembering how she had to order the compiler to ignore her servitors and Vetruvian Homme creations the first time she had tried to calibrate the rooms’ perspective. The ‘pantry’ is just over there. Her arm swinging out to point towards the centre of the room where a strange tree seemed to be growing. The tree seemed to be made from petrified hollows, skull like masks frozen in cries and roars, arms, limbs and hole riddled chests twisted and contorted into the trunk. The limbs reached high into the air, a little less than twenty meters, and from the branches grew no leaves, just strange purple fruits about the size of a fist, a shadowy skull like pattern faintly visible on the vibrant flesh. There were only eight fruit on the tree at the moment, and one of her Vetruvian Homme’s was climbing about in the limbs, carefully measuring the fruit with a caliper. The monkey-like creature delicately removed a fruit and carried it down the tree, hurrying off to the side and placing it among five other fruits in a basket.
I created this tree to provide me with sustenance, instead of actually going out and collecting souls the old fashioned way. This siphons energy from the Heuco Mundo sands and produces these fruit, each one roughly the same spiritual density of a low level menos grande. She said, walking over to the simple slate stone table with the basket of fruit on it. I’m still only an Adjuchas, so maintaining a daily diet is important, but it was a very annoying distraction from my work. I have to refill the room with fresh sand every week or so, but it only takes a few minutes and is a less cumbersome process than hunting prey. You are, of course, welcome to try one. I find them sweet and rich, none of that irony taste you get with eating hollows or mortal souls. Chandre said, making room for Eleanor to sample a fruit should she desire. Chandre understood if the arrancar refused, trust was hard won among her species; the possibility that this was out and out poison was distinct. The prospect of debilitating a powerful arrancar for consumption may have been too tempting for others in her position. Chandre of course had no such desires however, she valued a friendship more than a quicker route to her evolution, which she was sure would take place in its own due course.
I am curious Eleanor, from what I know of you; the value of your work is grand, how did you deal with such nuisances when you were in my position? Chandre asked, wishing to know more about her guest. Thus far she had been the more talkative of the two (which happened a lot in her conversations) and wanted Eleanor to feel more like this was a friendly chat, not a guided tour. She also did want to know if Eleanor had other methods of dealing with her issues while a lowly Adjuchas such as herself, Chandre was always open to new ideas.
Post by Eleanor Lockwood on Sept 8, 2017 21:55:07 GMT
Your First Masterpiece Must Be Yourself
The practical electrical innovation, the unique shapes of her waxen homonculi, even the clever construction and the greater grandeur of the cathedral itself...Everything Chandre had shown her, lovely as it was, utterly paled before the paradigm shifting wonder visible before the alchemist this moment. For a few moments, Eleanor could do nothing but stare, wide-eyed, at the revelation as her mind tripped over itself trying to fully process the implications. It made perfect sense: the least hollows managed to subsist purely on the energy present within their empty world, but that stopped being anywhere near enough at any significant degree of evolution. Eleanor hadn't even been clear if sapient hollows of the lowest degree could manage such at all. Clearly though, it was merely an issue of scale. With the proper refinement, the greater forms could be sustained. It was a fine reminder of the limitations of strength. Chandre might have concerns that her own goals were out of reach due to strength, but this creation showed that power was, at most, a single factor. For all her years and mastery of matter, for any object she'd fashioned, Eleanor had never managed this degree of far-reaching creations. It was humbling. And more than a little inspiring. Altogether, this news might have caused some degree of despair, had it been revealed to someone without Eleanor's particular background. As it stood, the reason why it didn't was also the answer to Chandre's question.
In short, because the act of sustaining myself was not a separate issue from my own long-term goals, and as such, was not a distraction. That wasn't to say there weren't issues, particularly when she was an early hollow, where the incessant hunger proved a curse. Only after becoming an arrancar had it truly stopped being such, really. Nonetheless, a difficult burden became less so when it became a path to purpose. The full explanation wasn't something Eleanor held secret or the like, but she'd learned to be a bit cautious about sharing it early, given its somewhat omnicidal implications. Chandre had earned that openness however, and Eleanor trusted she'd understand, with a full description.
I have spent no small amount of time pondering the nature of existence. Perhaps that sounds cliche, but to be an alchemist is also to be a philosopher. Why do souls become hollows by natural process? Why is there strength in our growth? I'm hardly about to decree 'natural' as 'right', but too many coincidences speak to importance in one form or another. She took hold of the fruit gently, as if too much contact might reveal it as an illusion.
The answer was in distillation. Just as with these fruits, really. Through the combination of essences and reduction of extraneous material, the many imperfect may inch ever closer to the single perfect. The principle applies in countless ways, in countless fields. Even 'chemists' understand the concept, vaguely. She tried to keep the note of disdain in her voice to a minimum, with little success. She pressed on, so as not to lose the point. And as above, so below. The physical reflects the spiritual. Just as matter can be refined, so too can souls. It is humanity's ultimate desire: to be 'more'. We think too small, however. Improving the individual will always have some degree of limit, for none of us are as strong as all of us. It is why souls become hollows, why hollows feel hunger, and why hunger exists at all: to motivate us to satisfy a need. You can see it in your own changes. What you could do in life, compared to what you can do now? Follow that logic to its conclusion, and you see that there is only one possible end. One body. One union. I've come to call it the spiritual singularity, and it will be our apotheosis. Every one of us. Reverence crept into her tone by the end of it. All alchemists ultimately sought perfection. Eleanor simply wanted everyone to experience it.
There were, and are, stumbling blocks along the path. Countless would oppose that end, and it is understandable, if regrettable. They think they will lose themselves. It needn't be so. Reaching out with her senses, she sent an image to Chandre with Hivemind Pack Formation, showing a glimpse of Eleanor's own inner world. A vast ocean of green-black fluid, and above it, floating mountains of stone, metal, crystal and stranger things. Amongst the stones, the countless souls she'd subsumed over the years (mostly other hollows, as they tended to be "packages" of souls for her purpose) walked about. It was a strange world, for those new to it, but humanity was ever adaptable. Most made full lives for themselves in short order. And it was a far, far kinder fate than the revocation of identity that most hollows and arrancar provided.
Within every shinigami, there exists a world. I have found that, as an arrancar, such a thing can be constructed deliberately. Each is as they were in life, and together we may stand as one atop the universe. Humanity ascended. Eleanor tended to forgo outright declarations of eventual godhood, as it took away from the idea and made it about her, not everyone collectively. Plus, nobody took that sort of thing seriously these days.
I appear to be rambling. My apologies, though I'm sure you understand getting caught up in a long term ideal. It's a working centuries in the making, and I have little doubt it will take centuries more, whoever achieves it. The meaning was quiet, but present. "I'm not going to attack you, please rest easy". Eleanor wasn't in any rush. One tended not to be, when you were ageless and the end seems forgone. She aimed at hollows, true, but the self aware, relatively peaceful ones? She spared those. The afterlife needed more conversationalists. No, there were plenty of bestial hollows that would do just fine, for the conceivable future. Indeed, given that these beasts and their victims regained themselves, it might even be considered a mercy. And, if she were being honest with herself, perhaps it was a salve for any lingering guilt. Whatever the case, Eleanor hoped it didn't sour their own budding friendship, but if something wasn't based on honesty, there was little point.
Ahh, so the consumption of spirits lent itself well to your work in the first place. Chandre pondered aloud, a gross oversimplification of what she had just heard from the lady arrancar. It was very convenient for Eleanor that her work have her own continued evolution at its crux, it had the simple elegance of managing to turn your hobby into your livelihood. While not particularly useful to Chandre, it was nice to learn something about her guest. I myself haven’t spent much time working on such esoteric things. I find beauty in the ‘physical’ such as it is, the living, the changing. The ‘why’ of many things have not piqued my interests unless they must be unravelled in the pursuits of my works. She said, herself not being much of a philosopher by any description. Why human souls became hollows was a mystery to her, why they were driven to such unending and limitless hunger equally so. What Eleanor said on hunger struck her though, it was true that ‘hunger’ was nothing so much as your instincts telling you to pursue something in a physical, tangible manner. It was written deeply into the core of every hollow, go forth, eat, become stronger, eat more. In her mind it was something of an annoyance, simplistic, baser, distracting from her desires, her other ‘hungers’ that pushed her to pursue her work. Eleanor had managed to find purpose in that hunger though, give it a reason beyond the slovenly pursuit of simple ‘power’ for powers sake.
So, in a sense, you want to subsume everything into a singular ‘perfect’ being? She asked, again, a simplification, but she wanted to have a clear idea of what Eleanor was after. In all honesty it was a very interesting idea and a noble goal. Raising the huddled, writhing masses from their bed of squalor and dissonance into something unified, focused and pure. It was at this point that Eleanor pushed a thought into Chandre’s head, something the lady hollow was a little jarred by. She could do similarly using her Vocal Agitation Amplifier, but that was largely limited to vocal communication. The vivid imagry though, as if she had been standing there, like it was a well-remembered event she had summoned. She had to admit it was a very interesting ability. The image itself was also very curious, an ‘inner world’ not unlike the shinigami, populated by souls of every shape and type. Chandre herself had only recently become familiar with the concept of the shinigami ‘inner world’ in the pursuit of another project of hers. She didn’t know if she herself could fashion an inner world of her own, Eleanor had mentioned her own ‘inner world’ had only come into being since becoming an arrancar. I am curious, while the increase in power is evident, the image you just showed me seems to indicate something. In eating another spirit, we do not absorb them entirely, we basically tap into them as a sort of battery to increase our own power. These spirits become calories for us to burn. However, the personalities, knowledge, the things that make individuals different, they seem to defy absorption. You showed me distinct spirits roaming your mind; the ‘many’ you have collected, but they are not truly one being. She said, still hearing the echoes of her own subsumed spirits, the wales and shouts of the tumultuous sea of her many decades of ‘victims’ just as the edge of her senses. Eleanor had managed to sort them, untangle them from the writhing mass that Chandre currently had buried in her soul, but they still remained… unattached to her. Wouldn’t it be a truer sense of amalgamation to absorb these other things as well? In a sense, becoming a new person every time you absorb a soul. Drawing in each personality to add to your own, every skill, the knowledge of thousands of years of souls. It is an enticing prospect… and terrifying. Chandre said, her tone subdued as she pondered the ramifications of such a thing. All of the knowledge and wisdom of everyone she had ever absorbed, but she would effectively stop being herself, she would just be one of the many, part of a strange singular democracy, her personality colouring, even if only partially, the actions of the whole. Could she make such a sacrifice? Was it truly a sacrifice at all if her desires were there with everyone elses? She didn’t know and wasn’t sure if she was in a hurry to find out. Perhaps such a mental fusing was a later stage of Eleanors’ plans, something to be done when a critical mass of sorts was achieved.
Now, the implication that Eleanor fully intended to eat Chandre wasn’t lost on the lady hollow, but if something of that nature was going to happen it wasn’t going to happen now by shear virtue of the fact that it hadn’t happened yet. Eleanor didn’t seem in a grand hurry to eat her, or she’d have done it when they first met over a year ago. As it stood, Chandre felt as certain that this meeting was going to end amicably for both parties, and if in a century or two Eleanor decided it was time to consume the wax-work hollow, Chandre would deal with it then. Whether that would be Chandre happily marching in Eleanors open maw, or fighting tooth and nail to cling to her hard won individuality would have to be seen.
Still, it is a noble endeavour to be certain, and I wish you all the best in its pursuits. Also, I never consider rambling to be rude, it’s a sign of passion, something sadly rare for our kind. She said as she moved toward the far end of the desert room. If you like, I can have a few of the fruits gift wrapped and included with your commission, the next room is, in an almost literal sense, the beating heart of my home. She said as she moved over to the wall, the image of an un-ending desert before her as she seemed to tap the air. The wall opened in what seemed like a physical mimicry of a garganta, the mouth like portal peeling wide to allow entrance. Chandre stepped into the thrumming nerve center of her home, and by comparison it was a very simplistic room in contrast to her grand hall and wide kitchen. The room was small, perhaps only five meters in diameter, the round room having a gentle curve to the walls that led up to a twelve foot domed ceiling. There was marble flooring similar to the front hall, though at the centre it seemed to pull up, as if growing into, or perhaps more accurately, from the structure at the centre of the room. There was a marble white statue of an eight foot tall man, arms splayed wide, strong but well-proportioned musculature painstakingly detailed. The serenely peaceful face lolled to one side, and the legs merged seamlessly with the marble plinth it seemed to have been carved from. The only splash of colour on the installation was a ruby red, brightly glowing heart that beat rhythmically, the stead ‘ba-dump’ echoing dully off the gently curing walls of the room. The heart was anatomically placed, the chest muscle and ribs seemed to be pulled off to the side and splayed open, as if tome strange skeletal hand gently holding the beating heart.
This is, in a sense, the hub of my home; from here I can go to any of my ancillary rooms or chambers. Things that need or make on a whim, such as my ‘firing range’ that I’ve been using to test that revolver form before, or my pen, where interesting critters are kept for future study. She said, motioning to a half dozen relatively simple doors set into the walls around the room, polished mahogany with comparatively basic carvings and designs etched into the ironwork. I keep this room simple, unassuming, it is the base upon which my home is built, and just as any painting is begun on a blank canvas, so too is my cathedral built on this. She said, walking over to the statue at the centre of the room. This is the Bifurcated Dimensional Schism. Through this devise I can summon rieshi into any form I wish and maintain it permanently. It only works in spiritual worlds, of course, and it was far too valuable to install in Hueco Mundo where random hollow attacks are… annoyingly random. She said with an air of past grievances and frustrations. There is an internalized device in the base called the spatial cracker, it’s the only way in or out of this dimension. I spent about a year in this in-between the in-between worlds testing just that. There is no way to open a garganta to or from here. The heart here, is the heart of a Quincy, I use it as a sort of transformer, or adapter. Where my will meets the raw energy pervasively abundant in this realm, and becomes thought solidified. As she spoke she grew, her body elongating so that she could be eye level with the statue, pointing out the heart as she detailed its purpose. It is, without question, the second most versatile creation I have ever made. She said as she came back down to normal standing height. She didn’t really intend to spend too much time here, it was a purposefully dull room, but dull none the less.
Post by Eleanor Lockwood on Oct 26, 2017 22:38:14 GMT
Your First Masterpiece Must Be Yourself
OOC: So, I'm just a little bit late. Work finally gave me some time, so sorry for the wait!
Perfect. That is precisely the word, if you'll pardon the hubris it implies. I am convinced that, hidden in all awareness, there is the desire for perfection. In most, it is unconscious, and those thinking themselves wise decry it as an impossibility. A goal that keeps changing, or one that could never be achieved in a lifespan. In that alone, I concede, they are right. Regardless, lack of practicality is not the same as impossibility. Nobody ever said perfection was practical, but practicality has always ultimately been about making compromises for convenience. Artists and philosopher's alike seem to go beyond base utility. A world where only pragmatism reigns is a colorless one. She listened keenly to Chandre's thoughts, smiling as she heard them. It was remarkable how simultaneously similar and disparate their thought processes were, and refreshing as well. Eleanor had once considered the strategy, but ultimately chosen a different path.
A truer fusion, yes, but ultimately not what I seek. There are two reasons a disparate nature that empowers the one made the most sense. Firstly, I'd hardly be uplifting mankind if there was no sense of self within them. It would just be me, alone, forever. Perhaps an ascended being could tolerate that, but even if my own sanity might be preserved, it still seems...wasteful. Secondly, a truly complete integration of two souls does not result in one soul with new skills, merely a shambling, chaotic mass unable to parse the difference between itself and the world. Imagine trying to reconcile your entire life, every word spoken, every action taken, with a perfectly vivid hallucination completely indistinguishable from your own memory. Would you know who you were? Would a second soul's skill with a sword be at all available, for example, if you couldn't even be certain of your own limbs? Multiply that with every soul absorbed, and the final result is anything but such a clean synthesis. No, allowing souls to remain tethered but discrete, or reduced into a mass appear to be the primary choices. Temporarily seizing control of a skillset might be possible, but it's a specialized magic, to be sure. Eleanor had experimented with such in the past. A fully functional technique had never rise from it, but the proof of concept seemed sound enough to pursue one day. Carefully. The risk she had just described was very real. Besides, there are a number of people I would dearly miss. Given the tone of Eleanor's voice, the fact that Chandre was very much on that short list was easily evident.
Following behind the wax-like hollow into the heartroom, Eleanor felt the power of the place before her other senses really got a good chance to take it in. Chandre's security took a different path than Eleanor's own Reality Cyst, since it existed within this place, rather than the hollow directly. Likely more secure, really, though the lack of an internalized aspect made her wonder if there was any chance of loosing contact with the Spatial Cracker (and thus either being trapped within or locked out permanently). The use of a Quincy heart made her smile broadly. The heart of a destroyer who think themselves pure, wielded to creative end by a being they would hypocritically call destructive. The irony is masterful. The statue itself was curious, but mostly in the sense that it wasn't the usual brand of curious that Chandre seemed to specialize in. This sort of statue seemed more classical than surrealist (although Eleanor wasn't much of a judge). The variety was nice.
Even if constrained to spiritual realms, the creative power of such a device was phenomenal, and Eleanor was very much in awe of it. She wondered if a cooperative project might benefit them both. The sort of flexibility eclipsed even Citrinitas, but Eleanor's own transmutations held their consistency within the physical world as well as the spiritual. Together, they might be able to create a true miracle. An exciting thought. Something to be brought up later.
Truly, if any work sparks in its pursuer the passion to complete said work, it is a worthy endeavour. Practicality is lovely, I built this very device from a practical need, but ultimately I work because of my passion for my work. Chandre said, motioning to the marble statue, the ruby red heart thumping rhythmically in the otherwise quiet space. Chandre understanding all too well how Eleanor could commit herself so fully to the pursuit of something so impractical as ‘perfection’, Chandre herself seeking it in her own works in some ways. As Eleanor had mentioned, everybody seems to seek perfection by instinct, whether it be the perfect painting, song, or spiritually omnipotent form. In the strictest sense, practicality is built on desires, I desire a home, I find a means to make one. I didn’t need this extra dimensional space to work in, I don’t even NEED to work, or eat, or evolve, but I desire such things. You desire perfection in its purest form, it is only practical that you pursue it. She said, feeling she should scold any who would berate the end goals of somebody willing to see things to the end. Eleanor most certainly sought her end goals with a loving fervor, and despite what the ultimate culmination of Eleanors’ goal meant for the wax-work hollow, Chandre wished her the best of luck.
You know, I have actually gained some practical experience in the complete amalgamation of minds, skills and temperaments. Unguided, messy blending is something I am certain would lead to the shambling host of which you spoke, uncertain of its own being. However, guided combination, ensuring the minds work in concert, that is an end result that I have seen and made quite handsome use of. Chandre said as she moved to the far wall of the dull room they spoke in. There was no doorway here, just smooth stone; there was no seem to indicate a hidden passage, or any indication that a passage may be there save that there was room enough for one between the two nearest doors. This is the final room on the tour, where your gift lies and what could be considered my current master piece. Compiler, activate the Spatial Cracker and let my guest and I in. She said, a soft hum growing in the base of the marble statue at the centre of the room, the soft viens in the stone seemed to shudder, glow a soft red before a sudden and jarring crack split the air. In front of Chandre a portal not unlike the one Eleanor had originally been welcomed through come into sudden existence, the edges of the portal swaying lazily like ripples in space. Chandre stepped through without a moments’ hesitation, stepping into a white hemi-spherical room.
I value this room most highly, it is where the Imagination Compiler sleeps, and where I do most of my work. Like my Cathedral, the Compiler is only accessible via the spatial cracker; it floats lazily through this dimension, no exterior entrance, a few hundred kilometers away from the Cathedral. She explained, though it wasn’t for fear of incursion, she had no expectation that somebody could ever reach her Cathedral without her permission, or that they’d know well enough to assault or seek out the Compiler. She kept the device well away in the event one of her experiments went unexpectedly awry and destroyed her home. The Bifurcated Dimensional Schism that made this dimension escapable could be rebuilt with enough time, and it needed to be physically connected to her home in order to effect the changes she desired. The Compiler was irreplaceable. The Imagination Compiler is an interconnected network of human brains, harvested from the best artists, poets, scientists and imaginations. Through a very complex neural network, this computer, for lack of a better term, is a vast repository of information, very detailed simulator, and allows me instantaneous, long distance access to my work. She said, motioning upwards to the small green pods that decorated the ceiling. It wasn’t too difficult to see the human brains carefully secured in their delicate little cradles, awash in a green fluid with gossamer strands whisping off them. At the centre of the room sat four laid back chairs, one in the middle with three surrounding it. Each chair had a small headset connected to it, thin neural strands flowing off them like fine translucent hair. Otherwise, the room was bare and starkly white save a small clear cylinder of off white liquid that sat adjacent to one of the chairs. When seated in the chair, the Compiler draws you into its simulated world, allowing for limitless creative endeavours without risk of losing precious materials with failures. It keeps a very up to date simulation of the human world through the Internet, though it’s simulations of Hueco Mundo are based soley on my recollection, and the soul society simulation is… woefully incomplete. Otherwise, I can communicate with it via the same device I used to contact you. She said, opening up the little purse that she had been carrying with her. She put her hand into the purse, her arm going altogether too deep for the little clutch bag to allow. She seemed to fish around for a moment before coming back out with a satisfied humpf. One of these. She said, holding a small, squirming creature in between her finger and thumb, the small grey slug like thing wriggled and writhed its half dozen legs. It’s called a Vocal Agitation Amplifier, I can use it to communicate with the living, or any sentient creature I come in contact with. I have upgraded it since its inception to allow for two way communication with the Compiler. It is, in a sense, the gift I am giving you. She said, moving over to the cylinder of liquid beside one of the interface chairs. The fluid in the cylinder seemed to ripple of its own accord, stirring as Chandre approached as if it could sense something nearby on an instinctive level. She made a bit of a show of taking the VAA and dropping it with a strangely animated splash from the liquid, which now seemed to move very purposefully. It took less than a minute for a hand to spring from the liquid, pale, slender, but fully formed and reaching daintily towards Chandre. The wax-work hollow grabbed hold of the outstretched hand and pulled, a shoulder, head, torso, all coming out of the rapidly descending liquid until a short, fairly androgynous young man stood at shoulder height to Chandre. The person was an odd mish-mash of features, slanted eyes with a broad nose, completely hairless with wide hips and broad shoulders. Clothe yourself Compiler, we have a guest. Chandre said, the young man looking over to Eleanor as if noting her for the first time, clothing taking form on his body though it too bore the unmistakable accents of being a mish-mash of wardrobes. This is a Malleable Servitor Symbiote, or just a Servitor for short. The VAA I put in the fluid creates a link to the Compiler, allowing the computer to download a personality, physical parameters and reasoning skills into the base compound. The Compiler avatar is the default setting, but you can request any changes in personality or physicality that you wish. As she spoke the pale boy began changing shape to be a taller, well postured business man in a pin-stripe suit, gold watch, clean haircut and five o’clock shadow. There are a few settings and applications the servitor can take on, but I honestly just like to get your opinion. Do you think it is a suitable gift? She asked, hoping that the creation was up to Eleanors’ standards.
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